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Iron Man Action Figure


Top 100 appliances
1901 Smoked Bacon 200g
₦8,150.00Food & Pastries
Parfait Cake
TLS Turkey Peppersoup
TLS Hot Dog Bun
TLS Fruit Bread
Vanilla & Strawberry Birthday Cake 9″ 2 Layers in Yellow Icing
TLS Bread Roll
TLS Milky Doughnut
Confectionaries & Snacks
Touch Chocolate
Love Hazelnut Chocolate
Tayas Orient Milk Chocolate
Touch Wafers x4 55g
Touch Dark Chocolate Wafer Duo
Nestle Kit Kat Chunky White
Ariella Plantain Chips
Executive Choice Cashew
TLS Bread Roll
Cosmetics
Dove Relaxing Lavender Oil & Chamomile 106g
Temptation Natural Spray Perfume 100ml
Class Orange Natural Spray 40ml
Scenario Paris Perfume Lotion 80% Vol
919 VIP Fabric Perfume 100ml
Food & Beverages
Aromas Multipurpose Onion Flaskes 250g
Gabbys Oragnic Black Seeds
Nestle Cerelac Junior Wheat with Milk Cereal 50g
Geisha Mackerel in Tomato Sauce 425g
Larsor Peppersoup Seasoning 100g
Ovaltine 800g
Fiesta Chicken Sausage 340g
Remia Mayonnaise 1000ml
Akanlar Viva Jus Coconut Flavour
Lurpak Salted Butter 100g
Kivo Good Time Non-Diary Creamer
Nutzy Chocolate Peanut Spread 510g
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.