Castillo Sweet Red Wine
Chelsea London Dry Gin 375ml
Cointreau L’Unique Liqueur 0.70L
Disaronno Originale 700ml
Divin Bardar 5 Years 0.5L
Don Royale Energy Flavour Spirit 750ml
Drostdy Hof Claret Smooth Medium Dry Red 750ml
Eagle Original Schnapps 75cl
Escudo Rojo Red Wine ? A Bold Fusion of Bordeaux Elegance and Chilean Passion
Fekomi Alcoholic Bitters 200ml
Fidossi Spumante Red Sparkling Wine 75cl
Firemore Blended Brandy 700ml
Flash Spumante White Sparkling Wine 75cl
Four Cousins Dry Red Wine 750ml
Four Cousins Dry Ros? Wine 750ml
Four Cousins Dry White 750ml
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Castillo Sweet Red Wine
Chelsea London Dry Gin 375ml
Cointreau L’Unique Liqueur 0.70L
Disaronno Originale 700ml
Divin Bardar 5 Years 0.5L
Don Royale Energy Flavour Spirit 750ml
Drostdy Hof Claret Smooth Medium Dry Red 750ml
Eagle Original Schnapps 75cl
Escudo Rojo Red Wine ? A Bold Fusion of Bordeaux Elegance and Chilean Passion
Fekomi Alcoholic Bitters 200ml
Fidossi Spumante Red Sparkling Wine 75cl
Firemore Blended Brandy 700ml
Flash Spumante White Sparkling Wine 75cl
Four Cousins Dry Red Wine 750ml
Four Cousins Dry Ros? Wine 750ml
Four Cousins Dry White 750ml
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.