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Gold Valley Flour Tortillas
Golden Penny Couscous 500g
Golden Penny Pasta Spaghetti 500g
Golden Penny Pasta Twist 200g
Golden Penny Pasta Twist 500g
Golden Penny Semovita 1kg
Golden Penny Semovita 500g
Golden Penny Spaghettini 500g
Golden Penny Spread 250g
Golden Penny Spread 450g
Golden Penny Spread 900g
Golden Penny White Cube Sugar 500g
Golden Phoenix Chicken Franks 340g
Golden Phoneix French Fries 1kg
Golden Phoneix Premium French Fries 2.5kg
Golden Spoon Pure Blossom Honey 312g
Golden Spoon Pure Blossom Honey 500g
Golden Terra Oil 700ml
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Glycerine
Gold Valley Flour Tortillas
Golden Penny Couscous 500g
Golden Penny Pasta Spaghetti 500g
Golden Penny Pasta Twist 200g
Golden Penny Pasta Twist 500g
Golden Penny Semovita 1kg
Golden Penny Semovita 500g
Golden Penny Spaghettini 500g
Golden Penny Spread 250g
Golden Penny Spread 450g
Golden Penny Spread 900g
Golden Penny White Cube Sugar 500g
Golden Phoenix Chicken Franks 340g
Golden Phoneix French Fries 1kg
Golden Phoneix Premium French Fries 2.5kg
Golden Spoon Pure Blossom Honey 312g
Golden Spoon Pure Blossom Honey 500g
Golden Terra Oil 700ml
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.